Zosha’s new work commissioned by Ensemble Paramirabo will receive its world premiere by the ensemble on April 25, 2025 at McGill University’s Music Multimedia Room (MMR). It will feature Productions Totem Contemporain’s unique Babel Table instrument.

More info and tickets forthcoming.

Violinist Johnna Wu performs Zosha’s Patina at New York’s Liu Shiming Art Foundation on March 13 at 6pm. The program also includes works by Liza Lim, Chikage Imai, Bahar Royaee, and Simon Kanzler.

This is a free event. More details forthcoming.

Ekmeles vocal ensemble will give the Canadian premiere of Zosha’s We live the opposite daring (2023) on February 24, 2025 at the Montreal New Music Festival. More info & details forthcoming.

Zosha’s The Untellable Hour of Quiet for solo piano will be performed by pianist Magdalena Baczewska at the Italian Academy at Columbia University on February 13, 2025 at 7pm.

The program includes works stretching from the 1500s to the 2020s, featuring works by Domenico Scarlatti, Andrea and Giovanni Gabrieli, and Marcos Balter, among others.

More info here. This is a free event, but advanced registration is required.

The Royal Conservatory Orchestra, conducted by Naomi Woo, will perform Zosha’s Lineage for orchestra at Toronto’s Koerner Hall on February 7, 2025 at 8pm. The program also includes Chopin’s Piano Concerto No. 1 (Jerry Hu, piano) and Mussorgsky’s Pictures at an Exhibition.

More info and tickets here.

The SF Contemporary Music Players (SFCMP) and conductor & percussionist Steve Schick will give the West Coast premiere of Zosha’s new work for solo percussion, chamber ensemble, and electronics. The concert will be at the San Francisco Conservatory of Music (SFCM). More details forthcoming.

The Vancouver Symphony, conducted by Karl Hirzer, performs Zosha’s Cortège on January 16, 2025, at 7:30pm. The program also includes Michael Oesterle’s Annus Mirabilis and Donnacha Dennehy’s Land of Winter.

More info and tickets here.

The International Contemporary Ensemble and conductor & percussionist Steve Schick will give the world of Zosha’s new work for solo percussion, chamber ensemble, and electronics. The concert will be at Roulette Intermedium in Brooklyn, NY. More details forthcoming.

Violinist Olivia De Prato performs Zosha’s The Dream Feed for violin and electronics in Bratislava, Slovakia. The concert is a part of Quasars Ensembles’ “Different Trains” concert series, also featuring works by Grażyna Pstrokońska-Nawratil, Paweł Hendrich, Ivan Buffa, and Steve Reich.

More info/tickets here.

Zosha joins the Princeton University Music Department’s Composition Colloquium as a visiting composer. Her lecture will take place on November 7 from 4:30-6pm at Room 102, Woolworth Center.

More info here.

Violinist Olivia de Prato will perform Zosha’s The Dream Feed (2021) at NYC’s TIME:SPANS 2024 Festival. The program also includes a work by Olivia’s, as well as works by Natacha Diels, Miya Masaoka, Jen Baker, Katherine Young, Samantha Fernando, and Ha-Yang Kim.

More info & tickets here.

Pianist Michael Sheppard will perform Zosha’s The Untellable Hour of Quiet at the 2024 Cabrillo Festival Donors Concert on July 28 at 7:00pm. The concert will take place at the Santa Cruz Civic Auditorium and also features works by Wynton Marsalis, Peter Schickele, Lera Auerbach, Iván Enrique Rodríguez, and Lou Harrison.

The Talea Ensemble will perform Zosha’s La forma dello spazio (2010) at Bowdoin International Music Festival’s Gamper Festival of Contemporary Music. The concert also includes works by Anthony Cheung, Olga Neuwirth, Andile Khumalo, and Derek Bermel. James Baker conducts.

More info & tickets here.

Violinist Emmanuel Vukovich performs Zosha’s Patina for solo violin as part of his RESILIENCE Project launch at Ferme Cadet Roussel in Mont-Sant Grégoire, Quebec. This concert marks the launch of Les Concerts St. Grégoire.

RESILIENCE is inspired by the musical legacy of Béla Bartók.

Violinist Emmanuel Vukovich performs Zosha’s Patina for solo violin as part of his RESILIENCE Project launch at Les Grands Ballets Canadiens in Montréal, Quebec.

RESILIENCE is inspired by the musical legacy of Béla Bartók.

Violinist Emmanuel Vukovich performs Zosha’s Patina for solo violin as part of his RESILIENCE Project launch at McGill University’s Schulich School of Music in Montréal, Quebec.

RESILIENCE is inspired by the musical legacy of Béla Bartók. More info on the performance here.

Violinist Emmanuel Vukovich performs Zosha’s Patina for solo violin as part of his RESILIENCE Project launch at Signet Society House at Harvard University, in collaboration with Storyboard P. More info forthcoming.

RESILIENCE is inspired by the musical legacy of Béla Bartók. More info on the event here.

La forma dello spazio for Pierrot ensemble will be featured as part of Taipei National University of the Arts’ New Music Workshop Spring-Summer Concert in the TNUA Concert Hall. The program also includes music by George Benjamin, Martin Loridan, Huck Hodge, Jean Ahn, and Anthony Cheung.

Violinist Emmanuel Vukovich performs Zosha’s Patina for solo violin as part of his RESILIENCE Project launch at Barnard College at Columbia University, as a workshop/performance in collaboration with Barnard Movement Lab. More info forthcoming.

RESILIENCE is inspired by the musical legacy of Béla Bartók.

Acclaimed percussionist Aiyun Huang performs Zosha’s The Dream Feed for percussion and electronics at the University of Canterbury. More info forthcoming.

Zosha has written a new work for the Los Angeles Philharmonic that will receive its world premiere on April 16 by the LAPhil New Music Group conducted by John Adams. Titled Noctiluca, the work is scored for 8 celli, accordion, piano, and percussion. The program also includes the LA Phil Etudes: Book I and a work by Anthony Davis, with soloists Anthony McGill and Earl Howard.

Zosha will also participate in LAPhil’s pre-concert talk series, Upbeat Live, at 7:00pm prior to the performance, moderated by Sarah Cahill.

More info & tickets here.

Acclaimed percussionist Aiyun Huang performs Zosha’s The Dream Feed for percussion and electronics at Northern Illinois University. The program also includes works by Chris Mercer, Kotoka Suzuki, David Bithell, Nicole Lizée, and Javier Álvarez.

More info and tickets here.

Acclaimed percussionist Aiyun Huang performs Zosha’s The Dream Feed for percussion and electronics at Northwestern’s Bienen School of Music. The program also includes works by Chris Mercer, Kotoka Suzuki, David Bithell, Nicole Lizée, and Javier Álvarez.

This is a free event. More info here.

The Orchestre symphonique de Montréal (OSM) will perform Zosha’s In the Half-Light, a song cycle for soprano and orchestra written for Barbara Hannigan, with a libretto by Tash Aw. The concerts will be on February 28 and 29, 2024, conducted by Rafael Payare. More details here.

The Vancouver Symphony Orchestra, conducted by Earl Lee, performs Zosha’s Pentimento on February 24, 2024 at the Chan Centre for the Performing Arts. More info and tickets here.

Pianist and composer Chen-Hui Jen performs Zosha’s The Untellable Hour of Quiet in a concert of cutting-edge music for cello (Jason Calloway), piano, and electronics (Jacob Sudol) as part of the XXVII New Music Miami ISCM Festival. A pre-concert discussion with the artists will also take place at 7:00pm.