The Edmonton Symphony performs Zosha’s Pentimento on February 20, 2026 conducted by Jean-Marie Zeitouni at the Winspear Centre for Music. The program also includes works by John Estacio, Allan Gordon Bell, Joel Toews, Cris Derksen, Annika Schoenhardt, and Vivian Fung.

More info and tickets here.

Zosha joins the Yale University School of Music and Department of Music composition programs as guest composer as part of Yale’s New Music New Haven series. She shares the stage on February 5, 2026 with compositions by first- and second-year YSM students.

Free admission, livestream and additional concert information here.

The Saskatoon Symphony orchestra performs Zosha’s Lineage on November 8, 2025, conducted by Karl Hirzer at Sid Buckwold Theatre. The concert is a celebration of Canadian composers that also includes music by Gary Kulesha, Sonny Ray Day Rider, Jean Coulthard, and Samy Moussa.

More info and tickets here.

Ensemble Modern gives the European premiere of Zosha’s time>>T. - - I. - - M.(time) - - E for 13 musicians on October 6, 2025 at 8pm at Mozart Saal in Alte Opera Frankfurt.

The concert also includes works by Diego Ramos Rodríguez, Ricardo Eizirik, and Jennifer Walshe.

More info & tickets here.

Cellist Juan Morie of Ensemble Dal Niente will perform Zosha’s Anssi de suite… for solo cello on October 4, 2025 at 7:30pm at St.George’s Grange Park in Toronto. The performance is part of New Music Concerts, and the program also includes works by Andile Khumalo and Carola Bauckholt.

More info and tickets here.

The Australian National Academy of Music presents the Australian premiere of Zosha’s TOUCH:TRACE with Steve Schick as director and percussionist. The concert will take place at Abbotsford Convent’s Rosina Auditorium in Melbourne on September 18, 2025 at 7pm.

The program brings together musicians, faculty, and audience to explore the nature of community and collaboration and also includes works by Pauline Oliveros, Sarah Hennies, and Iannis Xenaxis.

More info and tickets here.

The Société de musique contemporaine du Québec (SMCQ), in collaboration with Festival CiMa 2025, perform Zosha’s Phonotopographie on August 28, 2025. The concert will be at the Auditorio CCU Rogelio Salmona at Universidad de Caldas in Manizales, Colombia.

More info here.

The musicians of ChamberFest West will perform Zosha’s The Contours of Absence for string octet at Calgary’s Bella Concert Hall, Taylor Center for the Performing Arts on Friday, July 18 at 7:30pm.

Zosha will also give a pre-concert talk onstage at 6:45pm prior to the concert.

More info & tickets here.

Zosha’s Patina for solo violin will be performed at NACO’s WolfGANG Sessions #26, curated and hosted by clarinetist Sean Rice, on July 5 at 9pm at Club SAW in Ottawa.

The program also includes works by Andrew Staniland, Denis Gougeon, Tristan Murail, and Kati Agócs.

More info and tickets here.

Violinist Johnna Wu performs Zosha’s Patina at New York’s Liu Shiming Art Foundation on March 13 at 6pm. The program also includes works by Liza Lim, Chikage Imai, Bahar Royaee, and Simon Kanzler.

This is a free event. More details forthcoming.

Ekmeles vocal ensemble will give the Canadian premiere of Zosha’s We live the opposite daring (2023) on February 24, 2025 at the Montreal New Music Festival.

More info & tickets here.

Zosha’s The Untellable Hour of Quiet for solo piano will be performed by pianist Magdalena Baczewska at the Italian Academy at Columbia University on February 13, 2025 at 7pm.

The program includes works stretching from the 1500s to the 2020s, featuring works by Domenico Scarlatti, Andrea and Giovanni Gabrieli, and Marcos Balter, among others.

More info here. This is a free event, but advanced registration is required.

The Royal Conservatory Orchestra, conducted by Naomi Woo, will perform Zosha’s Lineage for orchestra at Toronto’s Koerner Hall on February 7, 2025 at 8pm. The program also includes Chopin’s Piano Concerto No. 1 (Jerry Hu, piano) and Mussorgsky’s Pictures at an Exhibition.

More info and tickets here.

The SF Contemporary Music Players (SFCMP) and conductor & percussionist Steve Schick will give the West Coast premiere of Zosha’s new work for solo percussion, chamber ensemble, and electronics. The concert will be at the San Francisco Conservatory of Music (SFCM). More details forthcoming.

The Vancouver Symphony, conducted by Karl Hirzer, performs Zosha’s Cortège on January 16, 2025, at 7:30pm. The program also includes Michael Oesterle’s Annus Mirabilis and Donnacha Dennehy’s Land of Winter.

More info and tickets here.

The International Contemporary Ensemble and conductor & percussionist Steve Schick will give the world of Zosha’s new work for solo percussion, chamber ensemble, and electronics. The concert will be at Roulette Intermedium in Brooklyn, NY. More details forthcoming.

Violinist Olivia De Prato performs Zosha’s The Dream Feed for violin and electronics in Bratislava, Slovakia. The concert is a part of Quasars Ensembles’ “Different Trains” concert series, also featuring works by Grażyna Pstrokońska-Nawratil, Paweł Hendrich, Ivan Buffa, and Steve Reich.

More info/tickets here.

Talea Ensemble gives the Cyprus premiere of Zosha’s La forma dello spazio at The Shoe Factory in Nicosia, presented by the Pharos Contemporary Music Festival.

The concert is on October 2, 2024 at 8:30pm and the program also includes works by George Christofi, Chaya Czernowin, Sofia Gubaidulina, Andreas Tsiartas, and Gérard Grisey.

More info & tickets here.

Pianist Michael Sheppard will perform Zosha’s The Untellable Hour of Quiet at the 2024 Cabrillo Festival Donors Concert on July 28 at 7:00pm. The concert will take place at the Santa Cruz Civic Auditorium and also features works by Wynton Marsalis, Peter Schickele, Lera Auerbach, Iván Enrique Rodríguez, and Lou Harrison.

The Talea Ensemble will perform Zosha’s La forma dello spazio (2010) at Bowdoin International Music Festival’s Gamper Festival of Contemporary Music. The concert also includes works by Anthony Cheung, Olga Neuwirth, Andile Khumalo, and Derek Bermel. James Baker conducts.

More info & tickets here.

Violinist Emmanuel Vukovich performs Zosha’s Patina for solo violin as part of his RESILIENCE Project launch at Ferme Cadet Roussel in Mont-Sant Grégoire, Quebec. This concert marks the launch of Les Concerts St. Grégoire.

RESILIENCE is inspired by the musical legacy of Béla Bartók.

Violinist Emmanuel Vukovich performs Zosha’s Patina for solo violin as part of his RESILIENCE Project launch at Les Grands Ballets Canadiens in Montréal, Quebec.

RESILIENCE is inspired by the musical legacy of Béla Bartók.

Violinist Emmanuel Vukovich performs Zosha’s Patina for solo violin as part of his RESILIENCE Project launch at McGill University’s Schulich School of Music in Montréal, Quebec.

RESILIENCE is inspired by the musical legacy of Béla Bartók. More info on the performance here.

Violinist Emmanuel Vukovich performs Zosha’s Patina for solo violin as part of his RESILIENCE Project launch at Signet Society House at Harvard University, in collaboration with Storyboard P. More info forthcoming.

RESILIENCE is inspired by the musical legacy of Béla Bartók. More info on the event here.

Violinist Emmanuel Vukovich performs Zosha’s Patina for solo violin as part of his RESILIENCE Project launch at Barnard College at Columbia University, as a workshop/performance in collaboration with Barnard Movement Lab. More info forthcoming.

RESILIENCE is inspired by the musical legacy of Béla Bartók.